Hirota Glass is a renowned name in the world of Japanese glassware, celebrated for its unique blend of traditional craftsmanship and modern innovation. We had the privilege to sit down with Tatsuaki Hirota, the president of Hirota Glass, to delve into his journey, the artistry behind their products, and the future aspirations of this distinguished glassmaking company.
Untold Japan Shop Interview with Tatsuaki Hirota
Career
Untold Japan: Can you tell us a bit about yourself and your background as an artisan?
Tatsuaki Hirota: Our company, Hirota Glass, has been dedicated to glassware since its inception, but personally, I was not familiar with the world of glass. As the opportunity to take over the family business presented itself to me, I decided to give it a try. Having said that, I now firmly believe that my decision was the right one.
UJ: What inspired you to pursue this craft, and how did you get started?
Hirota: The inspiration came from the family legacy and the opportunity to carry forward the tradition of glassmaking.
Moving from the roots of his career, Hirota delves into the intricate craftsmanship and unique techniques that set Hirota Glass apart.
Craftsmanship and Techniques
UJ: Could you walk us through your creative process from idea generation to the finished product?
Hirota: With many years’ experience in glass manufacturing, we aim to make our company more meaningful rather than just producing glass products. Our company specializes in the production of unique Japanese glassware, such as Taisho Roman Glass, one of our most representative products. The reason for this is that there are very few companies dedicated solely to the manufacture of glass. The fact that no one else is doing this makes me believe it is worth continuing.
UJ: Do you have any favorite or representative works that hold special meaning for you?
Hirota: We consciously create products that do not cause stress when used.
As Hirota discusses his artistic process, he highlights the significant role of local influence and community in shaping his work.
Local Influence
UJ: How does your local environment and culture influence your work?
Hirota: The Sumida Ward, where our company is located, is known for its thriving manufacturing industry. It is often said that making glass in Tokyo is rare. Having a manufacturing hub offers artisans the opportunity to exchange ideas, and it serves as a place for the community to strive for excellence.
UJ: Are there specific elements from Japan that consistently appear in your creations?
Hirota: The fact that our products cannot be copied.
UJ: Do you collaborate with other artisans or draw inspiration from the local community?
Hirota: We often collaborate with designers who have never worked with glass design before. It allows for fresh challenges in glassmaking, which may be what we are seeking. We also receive requests for specific products that customers would like us to create. In such cases, we are willing to take on the challenge. One example of this is the caviar tray, which is currently being sold by our company.
Every artisan faces unique challenges and rewards. Hirota reflects on these aspects of his journey and how he balances creativity with business demands.
Challenges and Rewards
UJ: What challenges do you face as an artisan, and how do you overcome them?
Hirota: The main challenge is maintaining the balance between creativity and business. Since we only produce glass products, business and creativity are not very different. Therefore, we focus on creating what we want to make. However, we are committed to emphasizing the handmade qualities that machines cannot replicate, as we believe in the unique charm they bring.
UJ: What has been the most rewarding aspect of your journey so far?
Hirota: Initially, I found great satisfaction in being able to accomplish things I couldn't do before. However, recently, the most rewarding moment has been when my creations are appreciated and sold.
UJ: How do you balance creativity with the demands of running a business?
Hirota: Currently, I'm focusing on a particular style in my creations. Within that framework, I'm exploring what I want to make and what sells well. I feel like I'm still figuring out the balance, but the fact that I'm still thriving makes me think I'm doing okay! laughs
Connecting deeply with customers is vital for any artisan. Hirota shares how he hopes to touch the lives of those who use his products.
Connection with Customers
UJ: How do you hope your customers feel when they own and use your products?
Hirota: We aim to create products that are stress-free to use and contribute to enhancing the quality of life. While we cannot guarantee how users will perceive them in practice, we strive to achieve this goal. Laughs
UJ: Can you share a memorable experience or feedback from a customer?
Hirota: We often have more opportunities to engage with companies rather than individual customers. We also offer cut glass experiences, allowing direct communication during these sessions. Handmade items possess a unique charm, including the inability to rectify mistakes once made. This might create a sense of tension, which is also part of the appeal of handmade products. We hope people can feel and appreciate this aspect.
Finally, Hirota reflects on his future aspirations and the broader cultural context of his work.
Future Aspirations
UJ: How do you envision the role of your craft in the broader cultural context?
Hirota: In Japan, there are few establishments solely dedicated to handling glass products. As a company, our continuous production of these items creates a space for artisans. With artisans, we can uphold tradition and continue innovating with new products. I feel that by our company persisting in production, we are preserving the skills of artisans by providing them with employment opportunities. Since skills cannot be preserved independently, they must be passed down through people.
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